-----Original Message-----
From: calls@theredproject.com [mailto:calls@theredproject.com]
Sent: 20 June 2005 16:23
To: matthawthorn@email.com
Subject: calls x 40 pt 3
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The Calls and Opps List
A digest of calls for artists
Edited by Michael Mandiberg
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ISEA2006 Symposium
ZeroOne San Jose: A Global Festival of Art on the Edge
CALL FOR PROSALS FOR COMMISSIONED WORKS
THEME: COMMUNITY DOMAIN
http://isea2006.sjsu.edu/communitydomain1/
ABOUT THE ISEA2006 SYMPOSIUM AND ZEROONE SAN JOSE FESTIVAL
The 2006 edition of the internationally renowned ISEA Symposium will
be held August 5-13, 2006, in San Jose, California.
See http://isea2006.sjsu.edu for more information about the Festival
and Symposium.
ABOUT THE COMMUNITY DOMAIN CALL
Over the next year leading up to August 2006, individuals or groups
will be commissioned to work with various San Jose communities
combining technologies such as GPS, mobile communications or digital
imagery to map their experiences and to tell their stories. These
experiences and stories will become part of the fabric of the
festival. In this way, the Festival becomes not only a glimpse of the
possibilities of art and technology, but using some of those same
innovative technologies, it is a celebration of the diversity found in
San
Jose and a platform for community members to participate.
A wide range of cultural contexts, media, art disciplines and venues
are feasible within the definition of "Community Domain". See
http://isea2006.sjsu.edu/thematic.html#community for more about the theme.
San Jose has a very diverse and hybrid population. , and we are
particularly interested in projects that traverse different
communities.
Three commissions will be offered for projects related to the
Community Domain theme: one at a level of $25,000 and two at the level
of $5,000.
ALL DETAILS AT http://isea2006.sjsu.edu/communitydomain1/
TIMELINE
Proposals must be submitted by August 1, 2005. Proposals will only be
accepted online at http://isea2006.sjsu.edu/submissions. All
proposals will be reviewed by a panel of distinguished authorities on
culture, art, technology, and community. Final awards will be
announced by September 1, 2005. All awards are subject to ZeroOne San
Jose's fundraising efforts.
INQUIRIES
Questions regarding this call for proposals can be addressed to
communitydomain@yproductions.com
PLEASE NOTE
There will be a subsequent call, beginning September 1, 2005, for
existing projects related to the Community Domain theme that do not,
necessarily, focus on San Jose / Silicon Valley.
http://isea2006.sjsu.edu/
http://isea2006.sjsu.edu./calls.html
http://isea2006.sjsu.edu/communitydomain1/
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BINARY KATWALK is an on-line exhibition space focusing primarily on work that is highly experimental and would benefit from a non-traditional exhibition space. The site is co-curated by Sindee Nakatani and Jeremy Hight. We are looking for new media work, for cross disciplinary works, for experimental works in particular mediums, and for works that are pushing into new horizons in form and functionality. We are looking for work ranging from hybrid new media narratives to experiments with digital imaging and photography. Each edition will have a new call for work and an invited artist's solo exhibition. We are currently taking submissions for our initial edition.
Contact : info@binarykatwalk.net
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STRP art & technology festival : CALL FOR PROJECTS - Deadline 1 JULY
The first edition of the STRP festival will take place in
Eindhoven(Netherlands) between the 18th and 20th of November 2005. Its
focus is on the commonalities between art, popular culture and
technology. As part of the festival there will be performances,
exhibits and presentations in a historical space. STRP will take place
on the 'holy' ground of the forbidden city of Philips, where in the
20th century numerous technological innovations were made. A place
where Einstein worked at one point and where one of the most ambitious
amalgamations of the arts and technology took place: "Poeme
Electronique," a collaboration between the architect LeCorbusier with
architect/composer Iannis Xenakis, artist Jean Petit, composer Edgard
Varese and filmmaker Phillipe Agostini. Coincidence or not, Dick
Raaijmakers also was closely involved in this project. STRP gets its
inspiration from this amalgamation of technology and art.
PROJECT CALL
STRP is looking for projects/installations/proposals that fit under
one of the following themes:
1) Press "Start" : gaming, interactive installations and playful art
works, in which the public can take an active role in the experience
and realization of the work.
2) WE ARE THE ROBOTS : robots, robort art, installations.
HOW TO ENTER
To find out more about the festival : http://www.strp.nl
STRP Entry form html version: http://www.strp.nl/strp-entry-form.html
STRP Entry form pdf version: http://www.strp.nl/strp-entry-form.pdf
Photographs and video of the space are available here :
http://www.strp.nl/space.html
Photographs and video of the space zipped (8.5MB):
http://www.strp.nl/space.zip
Deadline 1 July 2005
If you have further questions please contact us at projects@strp.nl
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Pixel Pops: Prepare, Post, Present
Gallery exhibition during the month of October 2005 in New Haven,
Connecticut at City Gallery. This is an artist organized exhibition,
coordinated by digital artists Colleen Tully and Cynthia Beth Rubin.
There are no fees to enter.
The Gallery will be equipped with 3 flat screen monitors to display a
variety of screen-based digital works. All work must show evidence of
extensive computer manipulation or be otherwise highly digital.
Acceptable Formats:
--Web-based Works (no live internet available)
--Short Videos & Animations (1 minute preferred, will accept up to 5
minutes)
--Interactive Works (Flash, Director, MaxMSP/Jitter)
All submitted works must be able to run locally (on a harddrive) in a
web browser such as Netscape or Firefox. Please submit by sending an
email to <art@city-gallery.org> with a web link to your work.
For videos/animations, artists may upload a tiny version (180 x 120 is
OK) that can be viewed online; if accepted we will ask you to send full
screen version on CD/DVD. Interactive works can be "recorded" and
similarly uploaded. Interactive works must have an additional auto-run
mode.
Please also provide a short description of the work either easily
available on your web site or in your submission email. Texts accepted
in English, Fran?ßais, and Espagnol.
Copyright Info: all artists accepted for this exhibition will retain
ownership of copyright and all other rights to their artwork. City
Gallery retains the right to use images of accepted artwork for
promotional reasons concerning the gallery.
SUBMISSION DEADLINE IS JULY 1, 2005 <art@city-gallery.org>
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Mobile Journeys Commissioning Program: Call for Proposals
Due Date: June 24
Mobile Journeys is pleased to announce the first Australian commissioning
program for mobile phone artworks. Between 10 and 15 commissions are
available for works in the following areas:
- short video
- sound
- text based
- locative
- social networking
- games
- performance
- installation
There is no required theme but the works must be specifically made for mobile
phones, working within the constraints and exploiting the opportunities of
this platform.
Commissioning fees will range between $750 for short video, sound and
text-based works to $2,500 for locative works and games. The exact amounts
will be determined on a case-by-case basis. All proposals will be assessed on
artistic merit and feasibility.
Selected artists are expected to develop their projects independently and
without significant technical assistance from Mobile Journeys.
The call for proposals closes on June 24. Applicants will be notified about
the outcome of the selection process by June 30. Mobile Journeys requires most
of the selected project to be completed by late July to be showcased at the
d>Art.O5 Exhibition at Sydney Opera House in August. Extensions on this
completion deadline will be granted on a case-by-case basis.
For more information and to submit a proposal, please visit
www.mobilejourneys.com
Mobile Journeys is a national initiative exploring the creative potential of
mobile devices. The Mobile Journeys consortium consists of the Australian
Interactive Media Industry Association, the Australian Network for Art and
Technology and dLux media arts and is supported by the Australia Council for
the Arts.
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INTERNATIONAL WORKSHOP ON 'ÄòURBAN PLAY AND LOCATIVE MEDIA'Äô
ORGANIZED BY ART CENTER NABI
SEOUL, KOREA
OCTOBER 18-20, 2005
Emerging technologies such as wireless network, locative media, and pervasive computing have brought about new perceptions and social interactions in urban environment, transforming the ways we experience our cities. The concepts of space, time, and social relationship in urban environment are put in flux, while there are growing interests among communities of artists viewing city as social playground, public space, fluid canvas, and invisible layers of network.
Art Center Nabi is organizing an international workshop in partnership with the city of Seoul to initiate cultural and artistic projects exploring the theme of 'ÄòUrban Play and Locative Media.'Äô
On the cross platforms of art, design, technology, and social sciences, submissions are sought to deal with the issues of participation, play, process, and engagement in urban environment incorporating various locative and pervasive media technologies. We are looking for fresh and thought provoking insights and projects that are to reflect on but not limited to the critical issues as following:
.How new communication media opens up new ways to engage people in public domain?
.In what ways people participate and play in urban environment in dynamic formation of city?
.What kind of urban games are possible using emerging technologies? And what kinds of collective 'Äòvibes'Äô can be generated through these games?
.How can physical or virtual spaces in city be created, experienced and accessed by collaborative or competitive movement of people?
.How can diverse aspects of city whether cultural, historical, social, or personal be reflected and shared through participatory gestures?
.How can disparate neighborhoods or different communities be linked, interact or confront in playful gestures?
* Area in focus: Myung Dong in Seoul
We are also initiating calls that manifest and explore diverse aspects of metropolis Seoul, specifically focusing on Myung Dong area. Myung Dong is one of the representative sites located in central Seoul with its historic background, highest land value and concentration of commerce and people. The city government is undertaking a major redevelopment plan that possibly includes new zoning and new IT infra, in order to make Myung Dong as the symbol of 'ÄòNew Seoul.'Äô For our purpose, Myung Dong can serve as a test bed in exploring the theme of 'ÄòUrban Play and Locative Media'Äô with cultural and artistic approaches.
Myung Dong info: http://www.myungdong.co.kr/md/main_down_1.html
Please contact at urban2005@nabi.or.kr to receive more information on Myung Dong.
SUBMISSION GUIDELINES
_CATEGORY:
1. Position Papers
2. Project/Workshop Proposals
* Art Center Nabi, with sponsorship of the city of Seoul and SK Telecom (a premier mobile carrier in Korea), will offer a chance to actualize the project for the selected proposals during 2005-2006.
_HOW TO SUBMIT
All submissions should be processed through online submission form.
- Biography, project proposal and other supporting materials should be uploaded in appropriate format indicated in each section.
- Submitted materials will not be returned to the applicant.
Please go to to www.nabi.or.kr/urban_workshop2005 to complete your submission.
_IMPORTANT DATES
Submission deadline: August 20
Notification of accepted submissions: September 20
International Workshop on 'ÄòUrban Play and Locative Media'Äô: Oct 18~20
SCHEDULE OF THE WORKSHOP
Day 1 Oct. 18th
Welcome & RegistrationIntroduction
General briefing about the state of locative technology in Korea and beyond by representatives from the industry and other related fields
General briefing about Myung Dong redevelopment project by master architect, Kim Do Nyun
Presentation of selected position papers and project proposals
Moderated discussion
Day 2 Oct. 19th
Presentation of selected position papers and project proposals
Field Trip to Myung Dong and Chong Gye Chon , redevelopment sites in Seoul
Environment research and documentation
Day 3 Oct. 20th
Group discussions for possible collaborations for further development
CONTACT
Suhjung Hur, organizer sjhur@nabi.or.kr
General info: urban2005@nabi.or.kr
Website: www.nabi.or.kr/urban_workshop2005
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Target Foundation has set up an internet television station. CULTURETV will be officially launched on the 15th of June and can be seen daily on the CULTURETV website. This makes it the first daily station which has been produced especially for culture and art.
CULTURETV will be an independent channel and is the only global 24/7 TV network dedicated to Culture, Art and New media.
The content is available via internet 24/7. At the same time we are creating a platform with interesting possibilities for artists, gallery-owners, art lovers a.o. Not only they will be informed of the latest art news but also they can collaborate by submitting short videos with content for the channel.
mail to info@culturetv.tv
site www.culturetv.tv
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-- Piksel05 - october 16-23. 2005
-- call for participation
-- deadline 15. august 2005
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Piksel[1] is an annual event for artists and developers working with open
source audiovisual software tools. Part workshop, part festival, it is
organised in Bergen, Norway, by the Bergen Centre for Electronic Arts (BEK)
[2] and involves participants from more than a dozen countries exchanging
ideas, coding, presenting art and software projects, doing workshops,
performances and discussions on the aesthetics and politics of open source.
Piksel05 will take place in Bergen october 16. - 23. 2005.
The development, and therefore use, of digital technology today is mainly
controlled by multinational corporations. Despite the prospects of
technology expanding the means of artistic expression, the commercial
demands of the software industries severely limit them instead. Piksel is
focusing on the open source movement as a strategy for regaining artistic
control of the technology, but also a means to bring attention the close
connections between art, politics, technology and economy.
One of the results of the past Piksel events is the initiation of the Piksel
Video Framework for 'interoperability between various free software
applications dealing with video manipulation techniques'[3].
Piksel05 will also feature the release of the Piksel LiveCD[4], a Linux
distribution containing the software used and developed at Piksel. The
package contains a suite of innovative audiovisual and artistic software,
free video plugins, and documentation from the past Piksel events.
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open CALL for PARTICIPATION
The last two Piksel events has focused on live art/audiovisual performance,
but for Piksel05 the main focus will be an exhibition in collaboration with
Hordaland Kunstsenter[5].
For the exhibition and other parts of the program we are interested in
submissions in the following categories:
1. Installations and interactive work
Audiovisual installations created and run solely using open source software.
The theme for the exhibition will be loosely related to 'games' and the gaming
experience.
2. Audiovisual performance
Live art realised by the use of open source software.
3. Software
Innovative artistic tools or software art released under an open licence.
Please send documentation material - preferably as a URL to online
documentation with images/video to piksel05@bek.no
Deadline - august 15. 2004
Use this form for submitting (or go to the online form at
http://www.piksel.no/piksel05/subform.html):
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1. Name of artist(s), email adr.
2. Short bio/CV
3. Category
4. URL to online documentation
5. Short statement about the work(s)
6. List of software used in the creation/presentation of the work(s)
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Or send by snailmail to:
BEK
att: Gisle Froysland
C. Sundtsgt. 55
5004 Bergen
Norway
More info: http://www.piksel.no/piksel05
piksel05 is produced in cooperation with Kunsthoegskolen in Bergen dep The
Academy of Fine Arts, Hordaland Kunstsenter. Supported by PNEK, Bergen
Kommune, Norsk Kulturfond, BergArt.
links:
[1] http://www.piksel.no
[2] http://www.bek.no
[3] http://www.piksel.org
[4] http://www.piksel.no/pwiki/PikseLiveCD
[5] http://www.kunstsenter.no
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Staatliche Hochschule
f?ºr Gestaltung Karlsruhe
At the Staatliche Hochschule f?ºr Gestaltung Karlsruhe (State Academy of Design Karlsruhe, Germany), the following professorships are available for a duration of up to six years (in accordance with ¬ß 49 Paragraph 2 of the University Act of Baden-W?ºrttemberg):
Professor for Digital Media Design
(W3 salary group)
The appointment shall be made as a limited duration career public servant, i.e.as a limited duration non-tariff civil service position in the public sector for the duration of up to six years.
General statement of purpose
The Staatliche Hochschule f?ºr Gestaltung (State Academy of Design) in Karlsruhe seeks to unify artistic practice with the potential of digital technologies and to confront traditional art forms with the continuing developments of expression in the media arts.
Tasks
An internationally recognized artist is being sought who is capable of fulfilling the demands of the field in both theory and practice.
The candidate will be expected to be capable of communicating the wide range of artistic applications of digital technology in the area of audiovisual media.
This includes net-based art, interactivity, virtual reality, and game creation, as well as the artistic integration of topics such as data architecture, content management systems and sensor systems.
It is also expected that the candidate be able to address digital image creation in the areas of 2D, 3D and animation technologies.
The candidate shall also be expected to communicate technical programming requirements necessary to produce works of digital art.
It will also be necessary for the candidate to be able to acquire third-party funds and to manage ongoing projects supported by third-party funds.
Professor of Scenography
(W 3 salary group)
The appointment shall be made as a limited duration career public servant, i.e.as a limited duration non-tariff civil service position in the public sector for the duration of up to six years
Tasks
'Äì Instruction and assistance of students enrolled in the scenography program
'Äì In this context, scenography refers to the general concept of set-related spatial design for theater, exhibitions, architecture and film.
'Äì Beyond duties related to instruction, the candidate should be prepared to work
together with other national and international specialists and guest professors
within the framework of interdisciplinary projects involving research
and development
For a period of three years (in accordance with ¬ß 49 Paragraph 2 of the University Act of Baden-W?ºrttemberg), the following position is to be filled as a non-tariff civil service position in the public sector with compensation commensurate with W3 salary group.
Professor of Artistic Photography
Requirements of the candidate
An artist is being sought who is capable of communicating the pictorial and sculptural potential of artistic photography to students in the Media Arts program.
Besides exploring traditional applications, digital technologies should be the most preferred alternate approach. Special value is placed on cooperation with other departments, as well as with the partner institution ZKM (Center for Art and Media, Karlsruhe).
Along with providing instruction within the context of project studies, the candidate should also be able to teach about public presentation of works, in particular in the form of exhibitions and other presentations.
Candidates should be able to prove knowledge and experience in a wide range of artistic photographic approaches. Prove of exhibition shall also be necessary.
__________________
Prerequisites for employment for all 3 Positions
- Completion of the appropriate course of university studies
- Proof of exceptional artistic aptitude
- Experience with digital media, light and projection technologies, as well as with performance-related technologies (Prof. for Scenography)
- Engagement in additional artistic practices
- Suitability for work as an instructor
Alternately, applications may be considered if the candidate possesses:
- outstanding performance in artistic practices related to artistic photography, and
- suitability for work as an instructor.
Additional tasks related to this position are covered in ¬ß 46 Landeshochschulgesetz Baden-W?ºrttemberg (¬ß 46 of the University Act of Baden-W?ºrttemberg).
Participation in self-governing committees will also be required.
Candidates should be prepared to cooperate with other departments in the university.
The scope of instructional duties is governed by the instructional responsibilities ordinance, which, at full teaching load, currently translates to 20 semester periods per week.
The Staatliche Hochschule f?ºr Gestaltung Karlsruhe (State Academy of Design Karlsruhe) strives to increase the number of female instructors and therefore strongly encourages women artists to apply.
Seriously disabled candidates who are equally suitable shall be preferred.
Applications, including curriculum vitae and photo, and all appropriate documents necessary to establish the artist'Äôs artistic and academic standing, are requested to be sent not later than 18. July 2005 to Staatliche Hochschule f?ºr Gestaltung Karlsruhe, Rektorat, Lorenzstr. 15, 76135 Karlsruhe, Germany.
contact: schrempp@hfg-karlsruhe.de
The university shall fill the position in agreement with the Ministerium f?ºr Wissenschaft, Forschung und Kunst Baden-W?ºrttemberg (Ministry of Science, Research and the Arts).
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Call for proposals: SCANZ (Solar Circuit Aotearoa New Zealand)
Url: http://www.witt.ac.nz/Content/sub/100005460.aspx
Planned for July 2006, SCANZ follows in the tradition of Solar Circuit and Polar Circuits. These events consisted of the gathering of diverse artists, curators and producers involved in contemporary practice with projects and activities intersecting the environment in some way.
Proposed dates and call for proposals:
The dates for the residency and workshop are 3 July - 16 July 2006. The submission process for projects is a two stage process. Stage one is a call for registration of interest, due Monday 18th July 2005. Stage two is a call for developed projects.
Registration of interest
Artists, curators and producers are invited to submit proposals for possible projects during the two-week workshop and residency. We are seeking projects that enhance a sense of community and/or identity by either:
a) being collaborative projects across hemispheres, between nations or cultures;
or
b) referencing environmental response - to Taranaki, Aotearoa, New Zealand and Pacific Ocean in terms of human, natural and technological environment.
Process
Download the registration of interest rtf from the web page given above. Fill out the form and email it to: scanz@witt.ac.nz.
The registration of interest proposal should include a short general description of the project only (half page preferred, maximum one A4 page). Project specifics can be resolved in the second call. The registration of interest file should be saved and sent as an rtf file.
A CV should also be submitted, which provides information relevant to the proposal. The CV should also be saved as an rtf and include all contact details and url'Äôs.
Up to three web suitable images (jpg or gif) can be submitted with the registration of interest, and video files up to 4Mb. This material should be related to the specific proposal rather than be samples of previous work.
Three themes are central to SCANZ:
1. Fostering a sense of community and translocal media environment by enhancing links between northern and southern hemisphere practitioners.
2. Providing time, space and a unique environment for media artists to workshop, research and collaborate on creative methodologies.
3. To create an opportunity for artists to work together over a given period of time to develop new artistic content exploring the relationship between media and practitioner's response to an environmentally unique location - Taranaki, Aotearoa New Zealand, South Pacific. Environment here refers to human, natural and technological environments and the integration of these into diverse creative forms.
Taranaki is significant in terms of human environment - it was the site for a peaceful protest movement under the guidance of Te Whiti, and important colonial events and clashes; home to Chew Chong who played an important role in business development regionally and nationally; and is the location of the mountain - Taranaki, part of Maori mythology and the second highest mountain peak in the North Island of Aotearoa New Zealand.
For further information, go to the web page.
Ian Clothier
SCANZ Team
Western Institute of Technology at Taranaki
New Plymouth
New Zealand Aotearoa
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Call for artists!
Performance artists all around the world are invited to send proposals for INPORT, International Video-Performance Art Festival, in Tallinn, Estonia on November 2005.
INPORT would like to bring artists from all around the world closer to Estonian audience. This is non-profit Festival and unfortunately we got a very small budget so we can only show your video/videos on the singel screen. We can't offer artistic fees, accomondation or travel expenses. After Festival we make the on-line cataloge on the Festival web-site (http://www.inport.tk).
Last year we received nearly 260 videos from 19 countries, on the INPORT Festival was presented 36 videos by artists from around the world.
Performance artists are invited to submit proposals for Festival in the
following categories:
Video-performance (performances made specally for camera)
Video documentary (video documentations of performances)
Formats accepted: VHS (PAL only), miniDV (PAL only), VCD, DVD
Thereís no limit of lenght, but please donít send the masters!
There are no official entry forms or entry fees!
Enclosed with the video/videos you must send the following (with e-mail or CD-R/Word document):
Performance artist or group name
Performance title
Statement of performance
Performance date, venue, Festival or event where it was first performed
Brief resume of the performance artist
Contact info (e-mail, postal address, etc.)
Deadline: 15.September 2005 (postal stamp)
No materials will not to be returned, but will be kept in the Festival archive for the projects in the future and for interested curators and artfestivals organizers!
Send all materials to:
Gert Hatsukov
Pikk 4-11
Paide
Estonia
All deliveries from international participants must be marked:
ìNO COMMERCIAL VALUE - FOR CULTURAL PURPOSES ONLYî
If you have any questions, please contact: inport.festival@mail.ee
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FIELD OF VISION: EXTREMES
@
Institute for New Media
Frankfurt a.M. / Germany
9 'Äì 16 October 2005
DEADLINE: 15 September 2005
INFO: http://www.field-of-vision.net/Extremes
DESCRIPTION
Following the success of Field of Vision: New York,
Field of Vision: Extremes will be the second in this series of combined internet / physical world events. This time the organizing artists are inviting everyone to submit images visualizing the 'Äòextremes'Äô of our world as they see it.
CRITERIA
We are especially interested in images (or pairs of images) showing the 'Äòextreme'Äô in contrast to its opposite: Good'Äìbad, rich'Äìpoor, free'Äìoppressed, modern'Äìold fashioned, blue'Äìorange, left'Äìright, hot'Äìcold, organized'Äìchaotic, advanced'Äìprimitive, peaceful'Äìviolent, dark'Äìlight 'Ķor any other contrast you can think of. All images are printed out postcard size and a selection of about 500 will be assembled on location into a billboard format collage.
MEDIA
Photographs, pictures downloaded from the internet or magazine cuttings, small artworks for example paintings, scanned objects, drawings, collages and electronically generated imagery are all acceptable but must be digitised and sent as e-mail attachments or uploaded to our server.
GUIDELINES
'Ä¢ You can submit as many images as you like
'Ä¢ File format: .jpeg, .gif, .png
'Ä¢ File size: max 1 megabyte per image
E-MAIL TO: extremes@field-of-vision.net
OR UPLOAD AT: http://www.field-of-vision.net/Extremes/Upload
If you wish to be credited include your name, city and country. Successful entries will be notified by e-mail and presented on the project web site.
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Sources: listings come from calls sent directly to me, listervs (syndicate,
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artservis) and email newsletters (ANAT, franklin furnace, LMCC, Experimenta)
To join the list, go to http://theredproject.com/calls
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